2.) Besides the critic critiquing the work, Gilbert-Rolfe says "he values those studio visits in which artists are objective enough to give self-criticism." What would you want to get out of a studio visit if a critic came to visit you? Do you feel that reading this article has helped you prepare for something like that?
3.). Would you feel differently if you were critiqued by an actual critic or just by another artist? And if so, how?
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